Sport As Art
If life
is a canvas on which we create our own masterpiece, we can all consider
ourselves to be artists. You may retort that this can only be true when I am
involved in creative activities. Perhaps I may be considered an artist if I
compose or perform music, but surely not when I am washing the dishes! The
portrayal of Mrs. Doubtfire by Robin Williams suggested that even the most
menial tasks can be imbued with artistry, but few would argue that
vaccuum-cleaning can be considered an art-form. A debate has been raging in the
past decades about whether sport can be art.
That sport and art have enjoyed a close relationship
through the ages is not a point of contention. The athlete in action has been a
popular choice of sculptors and artists since the ancient Greek civilization
produced a wealth of artistic artifacts that displayed the Olympic athletes in
all their glory. From creations in classical art forms to depictions in popular
culture, such as movies, sport has been represented as an object of beauty.
However, sport as the subject matter of art is not the same as sport as art. The
topic of debate is, can sport, in and of itself, be considered an art form to
the extent that it meets the criteria applied to such art forms as sculpting,
painting and dance?
Rather than
observing this debate from afar as armchair philosophers, it's time to roll up
your sleeves and get involved (remember, the underlying theme of this book's
approach is that you can only construct a philosophy of life by being actively
engaged in the process!).
Exercise 2: Debate
that sport is an art form.( Notice the congruence with the scientific method
here in that the debate is stated as a hypothesis so that it may be disproved or
verified through the evidence presented).
This exercise
should help you to think through an issue as you consider the topic and
construct arguments for and against the motion. As you do so, you will recognize
that not only are there two sides to every argument, but that in many cases,
there is not a clear cut verdict. If you have been weaned on the certainty of
empiricism, it can be unsettling to enter an academic arena where asking the
question can be more important than finding an answer, where finding an answer
can depend upon the skill you develop in framing the solution and where answers
that you reach are more likely to be relative shades of grey than absolute black
and white. That is the nature of philosophic analysis, and, as I'm sure you will
be quick to point out, that it is also the nature of life. How often are you
confronted with major decisions that are simple and clear-cut in your daily
existence? Hopefully, involving yourself in the philosophic process here and now
will pay dividends when you are faced with momentous decisions in your
future.
Step 1: Look back in the introductory chapter
at the discussion of the philosophic decision making process, which entails
reacting, self-distancing, identifying, analyzing and synthesizing. The first
stages in this case may not be too problematic. This debate, while interesting,
may not stir the fires of controversy in the same way as many of the ethical
issues we will confront in the next chapter. So, although your reaction to this
issue may not be strong, you should have little problem in detaching yourself
emotionally from the question, which has already been identified for you.
Step 2: Analyze the motion carefully. A good place to start is
with the words, "sport" and "art". The way you interpret these concepts will
determine the outcome of the debate. It is tempting to assume that these
commonly used words have readily agreed upon meanings. Yet, if you were to ask
your friends to freely associate an activity with the concept sport, responses
would probably range from football to frisbee. Some would think of sports that
have obvious aesthetic appeal, such as gymnastics, diving and synchronized
swimming, while others would name auto racing, boxing and chess, which at first
glance seem less artistically appealing. Similarly, questions can be raised
about the nature of art. Is art the process or the product, the act of creation
or the canvas? Does an artifact have to be produced with a definite expressive
intent in the mind of the creator? Does it necessarily have to express life
issues beyond the artistic medium itself? This question of expressive intent is
pivotal to your position. For sport to qualify as an art form it must meet the
basic criteria of art. The purpose of the athlete as artist must be synonymous
with that of the actor in any other artistic medium. Furthermore, the product of
the athlete's endeavors must be a work of art. Given these parameters to your
argument, how might you present pro and con?
Step 3:
Try it out. Develop arguments for and against the motion. For example:
Pro: that sport is art. The purpose of the Olympic figure
skater is to create a thing of beauty. The appearance and presentation of the
performer are married with the grace and precision of movement to measure up to
an aesthetic ideal. The finished product, the sights and sounds of the highly
gifted athlete performing with consummate skill are indeed a work of art. While
it is true that athletes may seek fame and fortune through their craft, isn't it
also true that artists have to earn a living? Don't artists paint for profit,
poets receive remuneration for their work, dancers compete to be accepted into
juried shows? In both sport and art the process of expression through a chosen
medium creates a product pleasing to the spectator. Each individual develops a
unique style of execution and adapts imaginatively to the possibilities of their
craft with new techniques and innovative uses of equipment. The athlete is an
artist performing in the art form of sport.
Con: that
sport is not an art form. The purpose of the athlete is not to create a work of
art, but to win. The means to winning is not creativity and expressiveness, but
efficiency and functionality. The aesthetic element is incidental in even the
artistic tributary of sports and superfluous in the mainstream. In art, the
means are the end, whereas in sport the end justifies the means. Sport is about
the bottom line, crass commercialism and being number one, not the production of
art. Sport is primarily physical, art mental; sport is frequently
coach-dominated, art is individualistic; sport can't express concepts of
life-issues, art can illuminate the human condition. Although there may be
occasional moments of beauty in sport, these are incidental to the action and
are only applauded when they lead to victory. Because the motives and methods of
athletes and artists are fundamentally different, sport is not an art
form.
Step 4: Synthesize your position. Now you get to
weigh the balance of the arguments you have been able to martial on each side of
the issue. In many ways this philosophic process of synthesis is like the legal
process that takes place in the courtroom. You act as judge and jury as you
decide which is the stronger argument. Like a hung jury, it may be that you
cannot reach a verdict because you cannot differentiate clearly between the two
positions, or because the two positions seem to be equally persuasive. Before
you abstain, be certain that the reason is not intellectual laziness. Scrutinize
the evidence presented more carefully, seek new information from other sources
or synthesize your own alternative position, but don't sit on the fence. Life is
full of tricky decisions, use this debating process as a form of preparation and
practice for the art of decision making.